The Magic Lantern



Fundraiser by Salvador Saca : Save Salvador Saca

My father, Salvador, has always been a selflessly generous man. Myself and my four sisters have found our own paths in life thanks to his nurturing care and devotion. He protected all of us as young children throughout the difficult civil war in El Salvador, and never allowed adversities to compromise our lives. Over time, we all left El Salvador, and were able to make better lives for ourselves because of his selflessness. He stayed behind to look after our grandmother.

A few days ago, my father was hospitalized with congestive heart failure, pulmonary hypertension, and cardiogenic shock. His short-term prognosis was dire, and word from the doctors swiftly moved from hopeful treatment to more resigned suggestions of palliative care. A less painful way of saying “hospice care,” really: our father was going to die. We were urged to make travel arrangements to accompany him at his deathbed.

Through the concerted efforts of our immediate family and the doctors, the prism through which Dad’s situation can be viewed has suddenly taken a shockingly positive turn: his condition is now stable but is entirely dependent on a complex and expensive system of life support which we simply cannot afford.

I have been hesitant to bring myself to publicly plead for monetary support for many reasons – one of them being how this would embarrass my father, an enduring figure of self-reliance to (I’m reasonably certain of this) many people in his life. But it has come to this. We do need your help to keep our father alive and have come to terms with the fact that without outside help, he won’t make it.

Despite the unpredictability of his needs – these will vary and their magnitude will hopefully diminish in proportion to the improvement of his health – in the interest of clarity, I can name the most immediate, concrete requirements:

One-time expense for CPAP Machine + Mask, Portable Oxygen = $4,600

Yearly expense for nurses, medications, respiratory therapy, required monthly hospital visits: $57,000

There are no words for the gratitude we feel toward all of you in this difficult moment.

02:53 am, by themagiclantern6 notes



quartertonebloom:
“ Velador (1979), Bridget Bate Tichenor
”

quartertonebloom:

Velador (1979), Bridget Bate Tichenor


last-picture-show:
“ Waly Elenbaas, Self Portrait, 1938
”

last-picture-show:

Waly Elenbaas, Self Portrait, 1938

(Source: the-night-picture-collector)



thekingofgear:

Jonny’s Web-app for Self-Portrait with Seven Fingers.

For his piece, Self-Portrait with Seven Fingers, the audience was asked to access a website on their smart-phones. The app give each individual 7x7 (49) opportunities to add to the piece by triggering short bleeps and bloops, specifically triangle waves of different pitches with delays of different speeds and feedback amounts.

While I initially thought that the user might be triggering simple sound-files made previously by Jonny in Max, upon closer inspection I found that the sounds were being generated within the browser itself, created uniquely each time someone pressed the circular button in the center of the page.

The source code of the page revealed that the sounds were being generated using HTML5’s Web Audio API. Knowing Jonny’s self imposed reputation as a nerdy programmer (and, of course, his open love of Max), I’m sure that he built the program himself. Here are some examples from the source code:

    var MAX_OSCS = 1;
    var MAX_TONE_DURATION = 500;
    var TONE_COUNT = 49;
    var VOLUME = 0.25;
      var note = randomNote();
      oscillator.frequency.value = note;
      oscillator.type = 'triangle';
      gainNode.gain.value = 0;
    function randomNote() {
      var baseNote = SCALE.sample();
      var octave = JUMPS.sample();
      return baseNote * octave;
    }

    function randomDelayTime() {
      return Math.floor(Math.random() * 300) + 60;

You can use the web-app (no download necessary) here.

02:01 pm, reblogged from the King of Gear ; by themagiclantern134 notes

womensrealm:
“ “The only person with you all your life is you. Your parents die. Things inside you die — illusions, gushes of personality. Only you can sort yourself out. Yourself may not be all you need, but it’s all you’ve got.”
— Kate Bush to Tim...

womensrealm:

“The only person with you all your life is you. Your parents die. Things inside you die — illusions, gushes of personality. Only you can sort yourself out. Yourself may not be all you need, but it’s all you’ve got.”

— Kate Bush to Tim Lott (Record Mirror, 1978)

(Source: rocksbackpages)

01:59 pm, reblogged from / Naomi / by themagiclantern261 notes


quartertonebloom:

JONNY GREENWOOD | Water: Miniature 1

Performed by Richard Tognetti and the Australian Chamber Orchestra





thechopinsymposium:
“ French composer Olivier Messiaen on Chopin, from Conversations with Claude Samuel
”

thechopinsymposium:

French composer Olivier Messiaen on Chopin, from Conversations with Claude Samuel


thechopinsymposium:

PEERLESS RUSSIAN PIANIST PAVEL NERSESSIAN MARKS HIS BOSTON DEBUT

Pavel Nersessian opens the symposium on the evening of Friday, June 27 with a recital not to be missed! 

Mr. Nersessian’s program features Hindemith’s Tanzstücke, Op. 19, Schubert’s Sonata in A Major, Op. 120, Schubert/Liszt “Ständchen” and “Erlkönig”, and Liszt’s monumental Sonata in B Minor.

For more information about Pavel Nersessian’s recital, visit the Rivers School Conservatory website. You can also join us on our Facebook page.

Here you can listen to an early-1990s recording of Mr. Nersessian playing Chopin’s Ballade in F Minor, Op. 52.


thechopinsymposium:

Andrew Tyson in a splendid performance of Chopin’s Etude in F Major, Op. 10, No. 8 (Live at the 2010 Chopin International Piano Competition in Warsaw, Poland)

An artist of great promise, Andrew Tyson returns to the symposium on the evening of Saturday, June 28, 2014 in performances of solo works by Chopin and Mendelssohn, and in the American premiere of Charles Valentin Alkan’s transcription of Beethoven’s Seventh Symphony for two pianos eight hands.

This is a performance not to be missed! For more information about Andrew Tyson’s performance, please visit The Rivers School Conservatory website.


quartertonebloom:

Victoria Spivey // “Blood Thirsty Blues”

“blood, blood, look at all that blood…”


Puce Moment, directed by Kenneth Anger, 1949
Puce Women was my love affair with Hollywood…with all the great goddesses of the silent screen. They were to be filmed in their homes; I was, in effect, filming ghosts” — Kenneth Anger


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